Search: Starring Valeria Bruni Tedeschi

Gourmet is phenomenal as the shopping centre aficionado who makes us understand a little more why the world is in the state it is in today.

The film’s fast flowing current carries a number of character messages we can fish out, as if they were polished by the stream, all shiny and specific.

Everyone is allowed to over-act, not least herself, who runs the gamut of wet-eyed self-pity to hysteria.

Claude Chabrol's formula remains intact. And unchanging.

Corsini agilely combines elements of cinéma verité and farce.

Duse is as much about the rise of fascism as it is about the decision making of an artist at a precarious time in her life.

As a short history of a relationship, it has an honesty that cuts through convention.

Paolo Virzì's study of capitalism in crisis gives the audience all it covets.

The experiences are achingly real and, thanks mostly to the remarkable performances, acutely touching.

Denis and Binoche take a perceptive and light approach to what could have been hackneyed material.

Part farce, part political commentary, part soul-searching device.

An enjoyably constructed puzzle box of a genre film.

There's a majestic "English pudding" at the centre of this Oscar-nominated short - but really this latest from Alice Rohrwacher is an enjoyable trifle.

The absurd exaggerations and the wild parishes of humor are completely original, never cruel, and attached to a physicality that is pure cinema.

Up until the end laced with cheap pseudo-biblical references, this horror-drama serves as a fun and thrilling ride.

The trans-European train on which the film's sections unfold is the perfect setting for such a synergistic venture.

Performances catch in the throat, almost too perfect to bear.

Time To Leave is at times laboured, but it is an intelligent film.